The myth of the “Trinche” goes back to the Teatro del Barrio

first_imgThe legend of the TrenchJorge Eines saw it, wrote a monologue that grew to a play, with José Ramón Fernández as co-author. “The Trench It could be better than Maradona but he didn’t want to, ”Garofalo argues. He preferred to stay close to his home, his friends, the neighborhood, because he liked to fish, although there were those who called him differently: little ambition, alcohol problems. “I played to win, not to die,” argues his character in the play. Those who saw him play do not forget that game of preparation for the 1974 World Cup in Germany in which Argentina played a friendly against a team of players from Rosario, the Trench among them, they call it “the greatest”.Between piles of newspapers and books, between quotes from Sastre, Nietzsche or Spinoza and memories of Pelé and Maradona transit the work. Philosophical, lucid, emotional. Every night, when you turn off your spotlights, it is rounded con a cultural debate with actors, directors. The day of the premiere was Ángel Cappa. And it was meridian: “It’s a wonder. And his message, today, more necessary than ever ”. As the figure of the Trinche. “The game is a way of being”. That phrase is heard, the light goes up, two men appear on the scene. Begins The trench, the best footballer in the world, the play around Tomás Felipe Carlovich, that Trench which is legend despite playing almost always in the B, Central Córdoba, reject even the albiceleste. Or so they say, because of Trench it is more oral, the memories of those who saw it. Little more. You barely keep pictures of yourself, videos, just nothing.But Trench, turned into a theater by playwright Jorge Eines, returns to the heart of Lavapies, to the Teatro del Barrio (Zurita, 20), after more than 100 performances throughout the world, played by Claudio Garofalo, accompanied by another actor, Lucas Ranzani, in the role of a journalist who seeks to pay tribute to him and in reality there are many at once. Ten nights, until February 16, 70 ’of a conversation that starts with football to embrace everything. The life, the demons. The origin of everything is curious: a Robinson Report. That one around the figure of the Trinche of the journalist Raúl Román, the director Edgar Delgado and the camera Adolpho Cañadas issued in 2011.last_img

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